Film review: 'Bridge of Spies'

"Bridge of Spies" is the fourth collaborative endeavor between Steven Spielberg and Tom Hanks. Great expectations are justified and met overwhelmingly in this taut, espionage thriller inspired by true events.

Set during the Cold War, the film follows an American insurance lawyer, James Donovan (Hanks), who is called upon by the government to defend a suspected Soviet spy, Rudolph Abel (Mark Rylance). It's a thankless task, given the political climate, but Donovan's love for his country and the Constitution propel him to do the right thing. There aren't many who agree with that particular interpretation.

A skillful negotiator, Donovan manages to convince Abel that he should represent him. And he does so with such respect it becomes mutual between the two. With the deck stacked against him, Donovan persuades the judge to waive the death penalty when Abel is found guilty. In a stroke of genius, he points out that Abel is worth more alive than dead.

Lo and behold, Donovan's prediction becomes a reality. In 1960, American pilot Francis Gary Powers is shot down by the Soviets while flying a U-2 spy plane. He survives and is sentenced to ten years in prison. Impressed by Donovan's courtroom skills, the CIA approaches him to negotiate a prisoner exchange. Once again, he reluctantly agrees, and the rest is history.

Spielberg has opted to attack his subject matter on an intellectual level rather than one packed with action. And it works well. The rapport between Donovan and Abel is at the heart of "Bridge of Spies." It contradicts that which is expected of "enemies." But for those who crave heart-pumping mechanisms, fear not. Footage of Powers' plane being shot out of the sky and bullets ravaging Donovan's home are as unexpected as they are brilliantly choreographed. 

Hanks, as usual, delivers a flawless performance, which honors a true American patriot. His portrayal of James Donovan demonstrates that even lawyers can be heroes. But Mark Rylance manages to steal some of the scenes. His wry depiction of a Russian spy is so contrary to preconceived notions, it elevates innocuous to magnificent.

Another surprise is that the Coen brothers assisted Matt Charman in scripting "Bridge of Spies." Pay attention, and you'll catch some of their signature wit. It pairs well with a message of how important it can be to occupy the moral high ground.