- May 5, 2025
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Barbara Basch and Davide Salvadore
Audrey and Stanley Lourie
Mel and Cheryl Taub with Laralee and Bill Bash
Ringling College President Larry R. Thompson, Stacey Corley, Malouf and Therese Abraham and Wendell Anderson
Bill Puig and Eileen Toolin
John Hicks admires “Florito,” 2016 by Davide Salvadore.
Nancy Gold and Bruce Lehman
Gerlinde and Fred Kohl
Marco Salvadore with a few of his original glassworks.
Mark Ormond, Corey Hampson, Carol Camiener and Tim Jaeger
Phillip Tavill, Dana Duckman and Sheila and Tom Blom
“Fórcole,” 2016 by Lino Tagliapietra
Jane Buckman, Kristen Bengtson-Lykoudis, Michele Benzoni and son Leonardo Benzoni
Chris Rothstein, Betty Jean Bavar and Virginia Akhoury
Several works by the Salvadore family and Lino Tagliapietra make up the 2017 Basch Glass Exhibition.
Alan Amero and Andria Piekarz
Leslie Cobin and Annie Carter
“Africa,” 2015 by Lino Tagliapietra
Joan Partridge and Gene Campbell
Marjorie Sayer and Barbara Jacob
“Il Risveglio,” 2016 by Davide Salvadore
Caroline Turchon
Marco Salvadore explains the process of creating one of the Salvadore glass pieces, “Tiraboson” by Davide Salvadore, to attendees.
Untitled works by Davide Salvadore from 2001.
Richard Basch thanks attendees and the Salvadore family.
“Spingarpa (Mandolin),” 2008 by Davide Salvadore
In occasionally broken English and a self-deprecating lecture style, glass artist Davide Salvadore explained to a crowd of over 200 on Jan. 7 why glass art has become the pride and joy of his family.
Salvadore comes from a long lineage of glass artists in Murano, Italy, and the legacy continues with his sons Marco and Mattia. Works by all three Salvadores were unveiled Jan. 7 at a private reception at The Richard and Barbara Basch Gallery. These original pieces by the Salvadores and a few selected works by Lino Tagliapietra make up the 2017 Basch Glass Exhibition, just a fraction of the extensive Basch glass art collection.
During his presentation at the Larry R. Thompson Academic Center auditorium, Davide Salvadore told his story of learning the craft at a young age — so young that he doesn’t remember what age — from his grandfather in the furnaces of his native Venetian island. However, it wasn’t until two years ago when his wife died and he created a piece in her honor, Salvadore said, that the craft took on a deeper meaning for him. His son Marco concluded the presentation with a thank-you message to everyone at Ringling College who made the exhibit possible, as well as a special thank you to his father.
Supporters of the The Richard and Barbara Basch Gallery at Ringling College of Art and Design enjoyed a cocktail hour before the presentation as well as a reception following the lecture.