- November 22, 2024
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Best Supporting Actress Nominees
It looks as though Regina King will reign supreme. Her gut-wrenching portrayal of a mother determined to save her daughter’s fiancé from paying for a crime he didn’t commit is riveting. She embodies the “black experience” in America. But watch out for Amy Adams’ gutsy performance as Dick Cheney’s deeply devoted wife, Lynne. It’s her fourth nod in this category.
Best Supporting Actor Nominees
Mahershala Ali should grab a second Oscar for his impeccable elegance and vulnerability as pianist Don Shirley. The chemistry between Ali and Viggo Mortensen on screen is a rare gift. No debate unless Sam Elliott sways the Academy for his long history as a great actor. Prediction: Ali makes the best case.
Best Actress Nominees
Glenn Close delivers a quietly powerful portrayal of a woman who stands in the shadows of her husband’s accomplishments. She speaks volumes via body language and facial expressions for the most part, wordlessly. Close is, simply, her most brilliant, ever, as a woman scorned who comes clean with a vengeance. No contest here.
Best Actor Nominees
Torn. Christian Bale totally disappears into character as the infamous VP Dick Cheney. It’s a jaw-dropping and terrifically terrifying performance. But Rami Malek, as the iconic frontman for Queen, is astonishing. He’s electrifying, precise and mind blowing. It’s a toss, but we’re going with Bale.
Best Director Nominees
It’s about time for Spike Lee to score an Oscar. And since “BlacKkKlansman” is the best film he’s ever made, the timing couldn’t be better. Lee elevates an incredibly unbelievable true story to a thought-provoking commentary on racism in America. It’s a shocking, funny and galvanizing piece of filmmaking. Cuaron’s “Roma” is an intimate and breathtaking masterpiece. But we like Spike.
Best Picture Nominees
We’re going with the “feel good” film amongst the eight nominees, “Green Book.” It’s a breath of fresh air in stagnant times. This wickedly wise and wise cracking journey through the Deep South in 1962 never stoops to cliché, even though it’s rife with them. When two men who are polar opposites become best of friends, we are forced to embrace the fact that our differences can become a means by which we bond. Director Peter Farrelly has created an ode to the American landscape, inhabited by two guys in a turquoise 1962 Cadillac Sedan DeVille, navigating with a green book. And it’s one exhilarating ride. Look out, “Roma.”
The Academy Awards air at 8 p.m. Feb. 24 on ABC.